Returning to What Calls Me
I meet weekly with a small group of fine artists. Our conversations wander easily - art, family, workshops, color, materials, exhibitions, life. One week, the discussion shifted toward the place art occupies in our lives, and I found myself saying that I take all of life into my art practice.
The thought stayed with me.
Very little seems separate from the work anymore. A conversation, a trip, something read, something lost, a change in the body, a color noticed in passing, a difficult season, an ordinary afternoon. All of it has the potential to enter the studio. Not necessarily as subject matter, but as experience. It changes what I notice, what I question, and eventually what I make.
For years I might have called that passion.
Passion is certainly part of it. It is the desire to make, the excitement of an idea, the urgency that can make hours disappear in the studio. But passion rises and falls. There are days when painting feels exhilarating and days when it feels uncertain, repetitive, frustrating, and the beat goes on.
The return happens anyway.
That is where the word vocation began to feel more accurate.
Vocation suggests something larger than enthusiasm. A calling, perhaps, but not in a grand sense. More as an orientation a way a life begins to organize itself around a particular kind of focused attention.
Art affects the way I move through the world, and the world continually enters the art. The boundary between the two has become increasingly difficult to locate. That makes me more conscious of what I allow into my attention.
And then there is devotion.
Devotion may be the least dramatic of the three words, but perhaps the most important. It is the repeated act of returning. Showing up. Looking again. Making another mark. Staying with the questions long after the initial excitement has disappeared.
Passion may ignite the work.
Vocation gives it a place within a life.
Devotion is what keeps me returning to it.
